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The Girls Of Roxy Club 20 72 _TOP_

The tour covered the UK, the US and Japan. It moved from small pub and club gigs at the beginning, to highly publicised sold-out shows at the end. At the tour's last gig at the Hammersmith Odeon on 3 July 1973, Bowie shocked fans by announcing that it was the last show he would do with the Spiders from Mars.

The Girls Of Roxy Club 20 72

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After that, we ended up at a club called Ceaser's Palace and all the Wazoo guys were jamming. Tony Duran sounded great, as did the horn players. That's the night Frank first heard Craig Steward get up and jam on harmonica. FZ got up and sat on a stool and played guitar. I had just turned 18, so it was a thrill to be in a private club where you had to be 21. Especially with FZ & the Wazoo.

Frank played a concert in Wichita around 72 or 73. He went to a few popular clubs that played good cover tunes and asked if anyone knew of a club playing more progressive music. I was sitting in with guitarist David Carie, a long time best friend, whose group called Bliss was more what Frank was looking for. Bliss played early George Benson, other jazz, Mahavishnu, etc. The club was called Caesar's Palace. Tony Duran, guitarist of Ruben And The Jets, and drummer Jim Gordon had gotten to this club and were sitting in playing a shuffle in the key of A. I only had one harmonica with me, a key of D, which is used most often in the key of A in what is called 2nd position. After we finished, Frank stood up from a table and yelled out my name, "Craig!" I went over and he was with a girl my older brother Marty used to date called Glenda. Frank stuck out his hand, which I promptly shook. He asked if I would go up and sit in on a slow blues with him. It was a lot of fun. After we played, he asked me if I would come out to LA and audition. Later on, many Zappa players shared that they never knew of Frank sitting in like that.

RESTAURANTS. Since Cleveland's earliest days, restaurants, taverns, and saloons have generally served as social centers for communities or neighborhoods. The isolation Cleveland's first settlers felt would have been lessened at LORENZO CARTER's tavern on Superior St. (ca. 1802) in much the same way that the clubs and bars in LITTLE ITALY provide its 1990s residents with a forum to discuss the state of the neighborhood.

By the 1920s many local restaurants and hotel dining rooms began providing entertainment, thus enabling people to have a full evening out in one locale. They began with social dancing during lunch, dinner, and after the theater and went on to host local radio shows broadcast from the premises. In 1925-26, some of these hostelries that doubled as radio "stations" included the Hotel Cleveland, the Hotel Winton (with the Rainbow Room Orchestra), the Hotel Statler, and the Hollenden. During the 1930s remote broadcasts at restaurants continued at the Mayfair Casino, the Alpine Village, and nightclubs in the E. 105th St. area.

Automobiles also aided the growth of two new types of entertainment-based restaurant-clubs during the 1940s and 1950s. Cleveland had a number of establishments that became favorites of polka fans: the Golden Goose (E. 123rd), the Rendezvous Bar (W. 25th), the Gaiety Inn (COLLINWOOD), the Bowl Ballroom (E. 93rd), Grdina's Twilight Ballroom (St. Clair), and the Metropole Cafe (E. 55th). In the 1970s these included Timko's Polka Place (E. 156th), the Hofbrau House (E. 55th), and the Brookstate Inn (PARMA). Jazz clubs also became popular throughout the city and included the Theatrical (Short Vincent), the Cotton Club (first at E. 4th then at Quincy/E. 71st), and the Smiling Dog Saloon (W. 25th/I-71). In 1994 Rhythms Nightclub in Getty's at the Hanna featured local and national jazz acts weekly, as did Nighttown in CLEVELAND HTS. and the Boarding House and Uptown Grille in UNIVERSITY CIRCLE.


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